Harlaxton Medieval Studies XXX (New Series)
Proceedings of the 2018 Harlaxton Symposium: Performance, Ceremony and Display in Late Medieval England, edited by Julia Boffey
Articles:
Julia Boffey, Foreword: Performance, Ceremony and Display
Sarah Carpenter, Performing Chivalry: the Combat between Anthony Woodville, Lord Scale, and Antoine, the Bastard of Burgundy, 1467
Anne F. Sutton, ‘It Was a World to See Him Ride About’: The Visibility of the King 1461-85
Nigel Ramsay, The Law as Drama: Proceedings in the Medieval Court of Chivalry
Nicholas Orme, Display, Ceremony and Performance in English Schools, c. 1300-1530
Dean Rowland, ‘Oiez’ and the Voice of the Crier: Proclamations as Performative Utterances
Joyce Coleman, Chaucer the Page: A Winter’s Tale of Courtly Entertainment
Pamela M. King, The ‘Wakefield Master’ Revisited
Robert R. Edwards, John Lydgate and the Performance of Late-Medieval Courtly Culture
Diana Watt, ‘Such Fryvolous and Vayne Exercises’: The Anomalous Attitude of Hull City Councils to Visiting Players, c. 1400-1562
John Harper, The Regulation of Ritual at the First Cathedral in Salisbury
Nicole R. Rice, Design, Display and Devotional Performance at St Bartholomew’s Hospital, London
David A. Harrap, Sacred Rhetoric: Annotation in Insular Manuscripts of Imitatio Christi
Lisa Colton, Performance Piety: The Value of Post-Mortem Music and Liturgical Display in Fifteenth-Century London
Clive Burgess, ‘Having Long Desired to Establish a College’: Higham Ferrers, Henry Chichele and the Lancastrian Regime
Andrew Kirkman, Image, Music and Lived Reality in Fifteenth-Century Midlands Alabaster
M. T. W. Payne, The First Chantry Chapel of Lady Margaret Beaufort at Westminster Abbey
Ellie Pridgeon and Miriam Gill, Marking Time and Space: A Scheme of Wall Paintings at Raunds, Northamptonshire
Jaclyn Rajsic, Performing History in Royal Genealogical Rolls
Sonja Drimmer, A Political Poster in Late Medieval England: British Library, Harley MS 7353
Index
Index of Manuscripts