Harlaxton Medieval Studies XXII (New Series)
Proceedings of the 2010 Harlaxton Symposium: Patrons and Professionals in the Middle Ages, edited by Paul Binski and Elizabeth A. New
Articles
Paul Binski and Elizabeth A. New, Introduction: Patrons and Professionals in the Middle Ages, 1-4
Nicholas Vincent, “Let Us Go Down from this Joyful Commencement to the Plain”: Richard Poer and the Refoundation of Salisbury Cathedral, 5-40
Paul Brand, The Development of Professional Lawyers and a Legal Profession in the English Lay Courts: the Relationship between the Earliest Professional Lawyers and their Clients, 41-60
Philippa Hoskin, Authors of Bureaucracy: Developing and Creating Administrative Systems in English episcopal Chanceries in the Second Half of the Thirteenth Century, 61-78
Claire Gobbi Daunton, The Profession of Priest, 79-99
Susan Powell, Lady Margaret Beaufort as Patron of Scholars and Scholarship, 100-121
Sam Barrett, The Sponsorship of Early Medieval Latin Song: The Musical Evidence of Two Carolingian Poetic Collections, 122-140
Claudia Bolgia, Mosaics and Gilded Glass in Franciscan Hands: ‘Professional’ Friars in Thirteenth- and Fourteenth-Century Italy, 141-166
Michael T. Davies, Guidelines and Bishop’s Gardens, a Mason’s Drawings, an the Construction of Notre-Dame Cathedral of Clermont, 167-181
Martine Meuwese, The Count and the Codex: Morals and Miniatures in a Middle Dutch Manuscript, 182-199
Régine Page, The Patronage of Mahaut d’Artois and Three Fourteenth-Century Altarpieces, 199-215
Brigitte Miriam Bedos-Rezak, Image as Patron: Convention and Invention in Fourteenth-Century France, 216-236
Julian M. Luxford, “Nichil ornatus in domo domini pretermittens”: the Professinal Patronage of Walter of Monington, Abbot of Glastonbury, 237-260
Jessica Berenbeim, Personal and Institutional Patronage in the Sherborne Missal, 261-272
David Lepine, “Begun by Me”: the Artistic Patronage of the Late Medieval Higher Clergy, 273-291
David Griffith, The Seven Works of Mercy in the Parish Church: the Development of a Vernacular Tradition, 292-315
Nigel Saul, Patronage and Design in the Construction of English Medieval Tomb Monuments, 316-332
T.A. Heslop, The Alabaster Tomb at Ashwellthorpe, Norfolk: the Workmanship, Cost and Location, 333-346
David King, Glass-Painting in Late-Medieval Norwich: Continuity and Patronage in the John Wighton Workshop, 347-365
Richard Marks, A Will Casts Light: Robert Hunt and the West Window of St Margaret’s Church, Westminster, 366-385
Lucy Wrapson, East Anglian Rood Screens: the Practicalities of Production, 386-404
Index, 405-430